Interdisciplinary artist avery r. young is a 3Arts Award winning teaching-artist, composer and producer with work that spans the genres of music, performance, visual arts and literature. Examining and celebrating Black American history and culture, his work also focuses in the areas of social justice, equity, queer identity, misogyny and body consciousness. As a writer, this Cave Canem alum has work featured The Breakbeat Poets, Coon Bidness, to be left with the body and Make Magazine. He has also written curriculum and essay on arts education which appear in Teaching Artist Journal and A.I.M. Print. Dubbed “sunday mornin jook joint,” his performance and work in sound design merges spiritual and secular aesthetics with dramatic and comedic sensibilities. He has performed in the Hip Hop Theater Festival, Wordstock and Lollapalooza. Has recorded with house producers Anthony Nicholson, Charlie Dark and is featured on recordings such as, New World Reveal-A-Solution, Audio Truism, Catfish Haven’s Devastator and New Skool Poetiks. His new full-length release, booker t. soltreyne: a race rekkid, features songs and other sound designed created during his artist residency with the University of Chicago's Arts and Public Life initiative. It was during this residency that he worked worked on sound design and concrete poems called "cullud sign(s)." Through voice, sound, visual art and performance, young is constantly exploring the forms and spaces in which poetry can exist. Most recently, he is the vocalist on flutist Nicole Mitchell’s Mandorla Awakening (FPE Records) and his poetry is featured in photographer 3Arts Awardee, Cecil McDonald Jr.’s debut book, In the Company of Black (Candor Arts) and his first book neckbone (Northwestern University Press) will be available June 2019. He is currently one of four directors for the Floating Museum and touring with his band avery r. young & de deacon board.